CONSTRUCTED RECOLLECTION – NEAPOLITAN

NEAPOLITAN, 2022 by Leslie HossackNeapolitan
© 2022 Leslie Hossack

“When I was a small child, cake & ice cream was reserved for special occasions. Birthday celebrations always meant Neapolitan ice cream. It was particularly memorable because it came in three flavours (chocolate, vanilla and strawberry) and because it was sliced, not scooped. In the 1950s, the small freezer compartment in our refrigerator did not keep anything frozen for long. Just before dinner, my father would be dispatched to the dairy to buy a pint of Neapolitan ice cream. It came in a small brick-shaped carton, not unlike a pound of butter. An hour later my mother would take the ice cream out of the freezer to serve dessert. We were each given a plate with a piece of cake already moistened by a slice of rapidly melting Neapolitan ice cream. Like all images in this collection, Neapolitan is composed of blocks of colour designed to convey the feel and tone of my early surroundings. Can colour alone serve as a conduit of memory?”

PRINTS
Chromogenic print mounted on aluminum composite panel
30 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – MOTHER’S DRESSES

MOTHER'S DRESSES, 2022 by Leslie HossackMother’s Dresses
© 2022 Leslie Hossack

Mother’s Dresses was inspired by early memories of my mother. I clearly recall her sleeveless navy blue linen two-piece dress with a small white bow at the neck. I also remember her royal blue wool cowl-neck dress worn on special occasions such as Christmas; there was always a rhinestone broach pinned to the collar.”

PRINTS
Chromogenic print mounted on aluminum composite panel.
36 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – DISHES

DISHES 2022 by Leslie HossackDishes
© 2022 Leslie Hossack

“Many of my early colour memories revolve around food and related items. In the 1950s, we had a set of dishes that I absolutely loved. Habitant Studio Ware was a hand-painted pattern manufactured in England by J&G Meakin. I clearly recall the cereal bowls and the bread and butter plates. To me, they looked like plaid dishes. In a set of eight, two plates had intersecting red stripes, two had green stripes, two had yellow stripes and two had grey stripes. These dishes seemed to have been designed by a rambunctious child rather than by a rule-bound grownup. When the table was set, it looked comical and playful and very colourful. This image, Dishes, combines the four Habitant colours into one recollection.”

PRINTS
Chromogenic print mounted on aluminum composite panel.
30 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – LIVING ROOM

LIVING ROOM, 2022 by Leslie HossackLiving Room
© 2022 Leslie Hossack

“I remember my parents painting the colourless walls of our rented bungalow. It was common in the 1950s for each bedroom to be a different pastel colour – mint green, baby blue, soft yellow. One of my core recollections involves endlessly pouring over house paint colour charts – very potent objects of memory. From them I learned about the link between colour and language. I was astonished to discover that the bright colour of the accent wall in our dark green living room was Chartreuse. Recently I found a vintage Kem Tone house paint advertisement featuring a picture of a living room painted Parklane Green with a Chartreuse accent wall. Clearly this had been the inspiration for my parents’ colour scheme decades ago; it was also the inspiration for my new work entitled Living Room.”  

PRINTS
Chromogenic print mounted on aluminum composite panel.
36 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – LIFE SAVERS

LIFE SAVERS, 2022 by Leslie HossackLife Savers
© 2022 Leslie Hossack

“When I was growing up, candies such as jelly beans and Life Savers were a colourful treat. A roll of Life Savers could often be found tucked away in Grandma’s purse or hidden inside a Christmas stocking. In the 1950s, Life Savers came in five flavours: lemon, pineapple, orange, lime and cherry. The image here, Life Savers, is inspired by memories of the paper wrapper that surrounded the tin foil cylinder of candies – the only candies with the hole in the middle.” 

PRINTS
Chromogenic print mounted on aluminum composite panel.
30 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – TELEPHONE

TELEPHONE, 2022 by Leslie HossackTelephone
© 2022 Leslie Hossack

“This image was inspired by the first telephone I remember as a young child. There was only one phone in the house and it was a landline. It was also a party line, meaning that two households shared the same line. Each house had a different ring tone, so you knew who the incoming call was intended for. However, if you picked up the phone to call out and the other party was already on the line, you could hear their conversation. In the 1950s, telephones were black, with a heavy handset and a slow rotary dial. Long distance calls were very expensive so they were rare and kept as short as possible. Residential phones were used for significant communications and treated with reverence.”

PRINTS
Chromogenic print mounted on aluminum composite panel.
36 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – REGALIA

REGALIA, Ottawa 2022 by Leslie HossackRegalia
© 2022 Leslie Hossack

Regalia was inspired by Queen Elizabeth’s 1953 coronation.

PRINTS
Chromogenic print mounted on aluminum composite panel.
36 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – WINTER

WINTER, 2022 by Leslie HossackWinter
© 2022 Leslie Hossack

This new body of work, CONSTRUCTED RECOLLECTION, is an abstract autobiography inspired by childhood memories of colour.

ABOVE: “Winter was inspired by early memories of a striped wool blanket. Here in Canada, the hot summers and cold winters make seasonal changes of clothing and bedding an annual ritual. Every autumn when I was very small, my mother replaced the light summer covers on my bed with a heavy wool blanket. During the long nights and bright days of winter, the colours of that blanket entered my soul where they remain to this day.”

PRINTS
Chromogenic print mounted on aluminum composite panel.
30 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – PRINT CATALOGUE

CONSTRUCTED RECOLLECTION Book Cover by Leslie Hossack
 

CONSTRUCTED RECOLLECTION – New Publication Now Available
© 2022 Leslie Hossack

“My latest publication CONSTRUCTED RECOLLECTION features 22 full-page colour reproductions. This series explores the premise that colour is autobiographical. The images present a colour-coded record of my childhood, as unique as my physical DNA. I learned about colours through concrete objects: crayons, clothes, mail order catalogues and so on. This collection was inspired by early memories of the 1950s, an analogue world. By contrast, the creation of this work was completely digital.”

Signed catalogues available at TheCommotion.ca
Constructed Recollection catalogue consist of 44 pages and measures 11.8 x 9 in.

INDIVIDUAL PRINTS
Chromogenic prints mounted on aluminum composite panel.
30/36 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in online exhibition at:
StudioSixtySix.ca     Spring/Summer 2023.
TheCommotion.ca   21 January – 25 February 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack