Tag: Leslie Hossack

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INFERNO – Athabasca

Athabasca Melt
© 2025 Leslie Hossack

The photograph “Athabasca Melt” was taken on the Athabasca Glacier during a trip to the Columbia Icefields in June 2025. The experience of actually standing on this rapidly disappearing glacier inspired a new sculpture “Athabasca,” part of my Earth, Air, Fire and Water Collection. It will be featured in INFERNO, a solo exhibition at de Montigny Contemporary, opening 2 September 2025.

The audio recording “Athabasca Fade” (©2025 Leslie Hossack) was created to accompany the exhibition INFERNO. This recording was specifically designed to complement the modular sculpture “Athabasca.” The musical work is composed of three parts. The sound of running water, recorded by the artist at the Athabasca Glacier in June 2025, is a stream of melt water pouring off the glacier. The ticking sound is a recording of a 1947 Big Ben alarm clock from the artist’s personal collection. The two are combined with a third track, a low disquieting droning sound. It is predicted that this majestic glacier will completely disappear by the end of the century. 

Created by Leslie Hossack.
Produced by Burrow Media.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

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INFERNO – Peyto Glacier

Peyto Glacier
© 2024 Leslie Hossack

“Peyto Glacier” was released to mark the UN International Year of Glaciers’ Preservation in 2025. This three-dimensional piece is from Leslie Hossack’s Earth, Air, Fire and Water Collection, part of her latest series INFERNO.

Consisting of both sculptures and two-dimensional works, INFERNO exposes objectively measurable aspects of climate change such as disappearing glaciers, rising sea levels, melting polar ice, soaring temperatures and unprecedented wildfires. These abstract works are accurate representations of scientific records.

“Each one of my constructions is inspired by recent events and informed by current research. INFERNO is data driven. Statistics, graphs and other visual representations of our world have always fascinated me. In the summer of 2023, as hazardous smoke from Canadian wildfires blanketed cities across the nation and around the world, I felt compelled to respond through my art. When art and science work together, better solutions will be found sooner. I hope this collection Earth, Air, Fire and Water will cause us to carefully consider the catastrophic calamities related to climate change.”

“Peyto Glacier” is composed of 27 separate pieces, each of a different height. They represent the cumulative mass balance of this Canadian reference glacier for the years 1996 through 2022 (relative to 1995).

Acrylic Sculpture
11 3/4  x  18 1/2  x  4”

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

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INFERNO – Mountain Glacier

Mountain Glacier
© 2024 Leslie Hossack

“Mountain Glacier” was released just in time to mark the UN International Year of Glaciers’ Preservation in 2025. This three-dimensional piece is from Leslie Hossack’s Earth, Air, Fire and Water Collection, part of her latest series INFERNO.

Consisting of both sculptures and two-dimensional works, INFERNO exposes objectively measurable aspects of climate change such as disappearing glaciers, rising sea levels, melting polar ice, soaring temperatures and unprecedented wildfires. These abstract works are accurate representations of scientific records.

“Each one of my constructions is inspired by recent events and informed by current research. INFERNO is data driven. Statistics, graphs and other visual representations of our world have always fascinated me. In the summer of 2023, as hazardous smoke from Canadian wildfires blanketed cities across the nation and around the world, I felt compelled to respond through my art. When art and science work together, better solutions will be found sooner. I hope this collection Earth, Air, Fire and Water will cause us to carefully consider the catastrophic calamities related to climate change.”

“Mountain Glacier” is composed of 30 separate pieces, each of a different height. These represent the annual retreat of world glaciers (glacier mass balance) from 1994 to 2023.

Acrylic Sculpture
12 ¼ x 12 x 5”

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

INFERNO – Sea Level

04 Sea Level (Front View) Documentation Photo by Leslie Hossack 6 OK

Sea Level
© 2024 Leslie Hossack

“Sea Level” is a three-dimensional piece from Leslie Hossack’s Earth, Air, Fire and Water Collection, part of her new series INFERNO.

Consisting of both sculptures and two-dimensional works, INFERNO exposes objectively measurable aspects of climate change such as rising sea levels, disappearing glaciers, melting polar ice, hazardous air quality, unprecedented wildfires, and scorching temperatures. These abstract works are accurate representations of scientific records.

“Each one of my constructions is inspired by recent events and informed by current research. INFERNO is data driven. Statistics, graphs and other visual representations of our world have always fascinated me. In the summer of 2023, as hazardous smoke from Canadian wildfires blanketed cities across the nation and around the world, I felt compelled to respond through my art. When art and science work together, better solutions will be found sooner. I hope this collection Earth, Air, Fire and Water will cause us to carefully consider the catastrophic calamities related to climate change.”

“Sea Level” is fabricated from 30 separate pieces, each of a different height. From front left to back right, these represent the global mean sea level for the years 1994 through 2023.

Acrylic Sculpture
11 ¼ x 11 x 3”

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

INFERNO – Wildfire

08 Wildfire (Diagonal View) Documentation Photo by Leslie Hosack OK

Wildfire
© 2024 Leslie Hossack

“Wildfire” is a three-dimensional piece in Leslie Hossack’s Earth, Air, Fire and Water Collection, part of her new series INFERNO.

Consisting of both sculptures and two-dimensional works, INFERNO exposes objectively measurable aspects of climate change such as unprecedented wildfires, disappearing glaciers, melting polar ice, hazardous air quality, scorching temperatures and rising sea levels. These abstract works are accurate representations of scientific records.

“Each one of my constructions is inspired by recent events and informed by current research. INFERNO is data driven. Statistics, graphs and other visual representations of our world have always fascinated me. In the summer of 2023, as hazardous smoke from Canadian wildfires blanketed cities across the nation and around the world, I felt compelled to respond through my art. When art and science work together, better solutions will be found sooner. I hope this collection Earth, Air, Fire and Water will cause us to carefully consider the catastrophic calamities related to climate change.”

“Wildfire” is fabricated from 25 separate pieces, each of a different height. These represent the area burned by wildfires in Canada during the worst 25 years of the last 40, as of 2023. The highest bar represents 2023, when wildfires burned more than double the area of any year since 1983.

Acrylic Sculpture
15 ¼ x 5 x 5 in.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

INFERNO – Arctic Ice

01 Arctic Ice (Aerial View) Documentation Photo by Leslie Hossack OK

Arctic Ice
© 2024 Leslie Hossack

“Arctic Ice” is the first piece in Leslie Hossack’s Earth, Air, Fire and Water Collection, part of her new series INFERNO.

Consisting of both sculptures and two-dimensional works, INFERNO exposes objectively measurable aspects of climate change such as melting polar ice, disappearing glaciers, hazardous air quality, unprecedented wildfires, scorching temperatures and rising sea levels. These abstract works are accurate representations of scientific records.

“Each one of my constructions is inspired by recent events and informed by current research. INFERNO is data driven. Statistics, graphs and other visual representations of our world have always fascinated me. In the summer of 2023, as hazardous smoke from Canadian wildfires blanketed cities across the nation and around the world, I felt compelled to respond through my art. When art and science work together, better solutions will be found sooner. I hope this collection Earth, Air, Fire and Water will cause us to carefully consider the catastrophic calamities related to climate change.”

“Arctic Ice” is fabricated from 35 separate pieces, each of a different height. From top left to bottom right, these represent the extent of multiyear ice in the Arctic for the years 1989 through 2023.

Acrylic Sculpture
13 ½ x 9 ½ x 1 ½ in.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

INFERNO – Code Red

“137 - Code RED” by Leslie Hossack OK

137: Code Red
© 2024 Leslie Hossack

“137: Code Red” is a piece from Leslie Hossack’s Smoke Collection, part of her new series INFERNO.

Consisting of prints and sculptures, INFERNO exposes objectively measurable aspects of climate change such as hazardous air quality, disappearing glaciers, rising sea levels, unprecedented wildfires, melting polar ice  and scorching temperatures. These abstract works are accurate representations of scientific records.

Seen above, “137: Code Red” is a representation of a Fine Particulate Matter (PM2.5) Reading of 137, recorded in downtown Ottawa at 10 AM on 6 June 2023. Air with PM2.5 concentrations from 55-150 is considered Unhealthy – Code Red.

“Each one of my constructions is inspired by recent events and informed by current research. INFERNO is data driven. Statistics, graphs and other visual representations of our world have always fascinated me. In the summer of 2023, as hazardous smoke from Canadian wildfires blanketed cities across the nation and around the world, I felt compelled to respond through my art. When art and science work together, better solutions will be found sooner. I hope this collection of prints entitled Smoke will cause us to carefully consider the catastrophic calamities related to climate change.”

“137: Code Red”
UV ink on clear acrylic with white acrylic backing
custom white lacquer wood frame
46 x 46 x 2 in.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

INFERNO – Code Purple

“248 - Code PURPLE” by Leslie Hossack OK

248: Code Purple
© 2024 Leslie Hossack

“248: Code Purple” is a piece from Leslie Hossack’s Smoke Collection, part of her new series INFERNO.

Consisting of both two-dimensional works and sculptures, INFERNO exposes objectively measurable aspects of climate change such as hazardous air quality, melting polar ice, disappearing glaciers, unprecedented wildfires, scorching temperatures and rising sea levels. These abstract works are accurate representations of scientific records.

Seen above, “248: Code Purple” is a representation of a Fine Particulate Matter (PM2.5) Reading of 248, recorded in downtown Ottawa at 10 AM on 7 June 2023. Air with PM2.5 concentrations from 150-250 is considered Very Unhealthy – Code Purple.

“Each one of my constructions is inspired by recent events and informed by current research. INFERNO is data driven. Statistics, graphs and other visual representations of our world have always fascinated me. In the summer of 2023, as hazardous smoke from Canadian wildfires blanketed cities across the nation and around the world, I felt compelled to respond through my art. When art and science work together, better solutions will be found sooner. I hope this collection of prints entitled Smoke will cause us to carefully consider the catastrophic calamities related to climate change.”

“248: Code Purple”
UV ink on clear acrylic with white acrylic backing
custom white lacquer wood frame
46 x 46 x 2 in.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

ELEVATION

11 Elevation (Diagonal View) Documentation Photo by Leslie Hossack OK

Elevation
© 2024 Leslie Hossack

“Elevation” is Leslie Hossack’s first three-dimensional work. It is a celebration of her ongoing study of colour and her abiding interest in architecture. This transition piece is fabricated from nine “towers” of different heights. The base inside each tower is a different colour – colours inspired by the personal palette Hossack created for her recent series CONSTRUCTED RECOLLECTION.

“Elevation” provides a bridge from CONSTRUCTED RECOLLECTION to Hossack’s new series INFERNO.

Acrylic Sculpture
7 5/8 x 11 7/8 x 9 in.

Selected images from INFERNO featured in The Project Room at Studio Sixty Six, Ottawa.
2 – 13 July, 2024.

StudioSixtySix.ca

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack

CONSTRUCTED RECOLLECTION – CRAYOLA

CRAYOLA, 2022 by Leslie Hossack

Crayola
© 2022 Leslie Hossack

CONSTRUCTED RECOLLECTION is a series of images inspired by childhood memories of colour. For anyone growing up in the 1950s, what could possibly say colour more than Crayola?

“Purple had the starring role in my very first memory of a colour. It was 1953. Toward the end of the school year, our kindergarten teacher often spoke to us about Queen Elizabeth’s upcoming coronation. One day Miss Balson gave each of us an illustration of a crown; it looked like a page out of a colouring book. She then showed us a coloured photo of the crown. We were each given a box of six crayons and instructed to colour our crown. I diligently studied the coloured photograph. I liked the purple velvet fabric in the centre and determined that I would start with that. I dutifully dumped my crayons onto the tabletop but, to my dismay, there was no purple crayon. I was outraged that I had been given a task but not the necessary tools to complete the job. In the end, I coloured the purple cap with the red crayon. A week or so later, we were given a fresh copy of the same crown and told to colour it. I remember being annoyed that we were being asked to do the same thing over again. As before, the boxes of crayons had only six colours: green, yellow, brown, red, blue and black. No purple. I attacked the purple velvet cap first, this time with the blue crayon. (It would be a long while before I realized that I could have used the red and blue crayons to make purple.) Only in Grade One did I receive a box of eight crayons, the additions being orange and purple. This box of eight was the inspiration for Crayola.”

PRINTS
Chromogenic print mounted on aluminum composite panel
30 x 24 in.

CONSTRUCTED RECOLLECTION: An Abstract Autobiography – Childhood Colour Coded.

Selected images from Constructed Recollection featured in solo exhibition at
StudioSixtySix.ca   18 August – 24 September, 2023.

To view more work by Leslie Hossack, please visit lesliehossack.ca

ABOUT Leslie Hossack